The Big Fish
In a world chasing the flashiest bait, The Big Fish explores how using your own authentic voice — quietly and patiently — catches the Big One. The film is a meditation on persistence and timing, self-presentation, threading the fishing lure together with allure.
The Big Fish
Year: 2023
Technique & Material: Text-to- and Image-to-video generative AI, 3D CGI
Sound: Epidemic Sound
In a world chasing the flashiest bait, The Big Fish explores how using your own authentic voice — quietly and patiently — catches the Big One. The film is a meditation on persistence and timing, self-presentation, threading the fishing lure together with allure.
The Big One doesn't arrive when demanded or chased. It arrives at the intersection of preparedness and opportunity, in the stillness most attention culture moves too fast to inhabit.
Built with Runway Gen-4 and Act-Two, the piece treats generative AI as a deliberate craft tool. Act-Two specifically enabled performance-led voice work — acting out dialogue physically and then transforming it through the model — letting voice and character develop in the same generative pass. Sound design by Epidemic Sound carries the film's rhythm of waiting and release.
The Big Fish sits within FLOAM WORLD, an ongoing universe of surreal, fashion-inflected narratives exploring consumer culture, the female experience, and the gap between what we perform and what we actually want.